The Composer-Avantgardist Bo Nielsen: the Forgotten «Genius from the Malmberget»
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Abstract
The article presents a career of Swedish avantgarde composer Bo Nilsson which was known in 1960th, but is almost forgotten today. The author tries to draw a portrait of the ambiguous person, analyzes some of his compositions. The article reveals mystifications which were created by the composer and also a reaction of public to his acts.
Keywords: Avant-garde, Darmstadt, the Swedish music, the Swedish avant-garde, Bo Nilsson, Bengt Hambraeus
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References
2. Hähnel F. Bo Nilsson och hans attityder // Nutida Musik 6. – 1962-1963. – no. 9. – S. 3–8.
3. Koenig G.M. Bo Nilsson // Die Reiche: Information über serielle Musik. Band 4: Junge Komponisten. – Wien, Zürich, London: Universal Edition, 1958. – S. 85–89.
4. Laaban I. Bo Nilssons Scener // Nutida Musik 13. – 1964–1965. – No. 1. – S. 2–6.
5. Nilsson B. Collage från stendammets stad // Ord och Bild 70. – 1961. – S. 384–387.
6. Rying M. Det finns saker och ting som man inte talar om // Nutida Musik 16. – 1972–1973. – no. 3. – S. 34–36. 7. Salmenhaara E. Löytöretkiä musiikkiin: Valittuja kirjoituksia 1960–1990 / toim. Kalevi Aho. – Helsinki: Gaudeamus, 1991.
8. Stockhausen K. John Cage (und Bo Nilsson): David Tudor spielt neue Klaviermusik // Stockhausen, K. Texte zu eigenen Werken, zur Kunst Anderer, Aktuelles. Band II. – Köln, 1964. – S. 146–148.
9. Valkare G. Bo Nilsson. – Stockholm: Atlantis, 2010.