Piano Technique in the Context of Harpsichord Art (on the Example of Pieces by F. Couperin)
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Abstract
The article considers piano technique as driving force and means of interpretation. Forms of its manifestation are analyzed on the examples of the pieces for harpsichord by Francois Couperin.
Keywords:performing, pedagogy, technique, stylistic peculiarities, harpsichord, interpretation, Couperin
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References
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