New Choral Music of A. Larin: Impressions and Meditations
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Abstract
The article views choral works composed by Alexei Larin during the 2000s. The content and the form make an entire integrity, forming an “idiostyle” of these works. The author raises an issue of relation between verbal and musical texts, which is implemented through the form and the structure, as the musical means do.
Keywords: contemporary composers of Russia, choral music, the 21st-century music, “idiostyle”
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