Stationary Theater of Musicals in Contemporary Russia
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Abstract
The author has considered an operation of the musical comedy theater in Russia during the 2000s and the beginning of the 2010s. The most important trends of its development have undergone a detailed view in two aspects: the artistic one (in terms of repertoire) and the management one (in terms of economy). Special attention in the article has been paid to Broadway productions of the so-called “project” theater, which intend to concentrate on the creative, financial, material and technical resources with a purpose of a successful staging of the only play (project). As an example, the author has analyzed both an artistic conception and an operational strategy of the Musical Comedy Theater opened in Moscow on the 21st of February 2012.
Keywords: Moscow Theater of Musical Comedy, repertory Theaters
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