On Features of Theatricality in the Keyboard Sonatas of J. Haydn
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Abstract
The article considers a possibility of implementing the play logic in the music by Joseph Haydn. Based on theatrical principles of the composer’s thinking, the play logic in music gets implemented through certain space-time relations. The author believes that such notions as “the way of imagining the ‘characters’,” “the order of processing the ‘fable’,” and “the manner of structuring the ‘plot’” – which let us see some scenic presentation behind the score, whose capacity appears in a generous abundance of various metamorphoses, – may be applied to Haydn’s oeuvre.
Keywords: the space-time of play, a theatrical model of thinking, associative links of theatrical play, personified themes
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