On Cases of Tonal Semantics in the Music of S. V. Rachmaninoff
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Abstract
The article views an area of images associated with the minor keys most often used by Rachmaninoff, all of whose C-sharpminor pieces, together with the fragments where this key is used sporadically, served a material for the author’s observation. In the course of the analysis, some repeated harmonic idioms determining this key’s relatively stable area of images in Rachmaninoff’s oeuvre have been revealed. The following two “imagery zones” of the C-sharp Minor have been highlighted: a mode of exalted grief dominates in one of them, whereas the other expresses anticipations of an apocalyptical nature. The examples of how Rachmaninoff used the C-sharp Minor are bright evidence that a certain area of mutually related artistic images may be “affixed” to a certain key.
Keywords: an area of images associated with certain keys, symbolic motifs, symbolism of the Baroque time, phonic contrasts, cadence idioms
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