Arrangements of Folk Melodies in the Works of Russian Composers
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Abstract
The article analyzes arrangements of folklore tunes widely represented in the oeuvres by composers of different epochs and styles. The problem of systemizing the approaches to primary sources arises because of the variety of terms associated with the selected genre area, as well as with the absence of clear boundaries between the genres it consists of. The author offers her own classification whose criterion is a composer’s approach to the primary source; the base of this approach can be either to preserve or to change the structural model of the primary source.
Keywords: arrangement, the structural model of the folklore musical and poetical text, variations, fantasias, examples of harmonization
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