On Playing Nature of the Scherzi in the 19th Century Symphony: Cultorological and Historical Aspects
Article Sidebar
Main Article Content
Abstract
The author views the scherzo as an instrumental music genre with long history, which formed its different types with genre complexes incident to each of them during the 18th and 19th centuries. The attention is focused on the scherzo in the 19th-century Russian symphonies, which co-opted main features of the world feeling of the epoch: on the one hand, both spiritual quest for the national idea and an urge to recreate an entire concept of the world and the man; on the other hand, all contradictions and conflicts of the time, which were reflected in an artist’s inner world.
Keywords: Russian music, symphony, scherzo
Article Details
Copyright
The rights on the results of intellectual activity and equated means of individualization are protected in accordance with Part IV of the Civil Code of the Russian Federation. The authorship, author's name, executor’s name, inviolability of the work and result of execution are protected by the rules of Part IV of the Civil Code of the Russian Federation of the author or executor, regardless of providing legal protection of such results of intellectual activity at the time of their forming.
Copyright laws regulate the civil legal relations for using works of science, literature and art. Such relationships are formed as the result of the author’s writing his or her texts. In this case the author can rightfully claim copyright of the work.
The author has certain rights to reuse the work (see: “Ethical Aspects in Terms of Multifold Publications).
Licenses
All copyrights on the articles belong to their authors. The author transfers the rights on using the article the publisher.
PDF versions of scholarly articles of the journal PMN are published by using the license Attribution Non-Commercial No Derivatives cc by-nc-nd, allowing loading and distributing works on the assumption of indicating the authorship. The works may not be changed in any way or used for commercial interests.
Criteria for Authorship, Co-authorship
The term “author” refers to all persons (co-authors) who have made a substantial contribution to conducting the research and creation of the manuscript and responsible for its content. The person (author) who has submitted the manuscript to the editorial board shall bear responsibility for the complete list of the group of authors and the changes made to the manuscript in accordance with the results of the peer reviewing and editing.
1. Authorship is based on the following criteria:
1) The author made a substantial contribution to the research activity and development of concept, collected the data, made analysis and interpretation of the data.
2) The author carried out the writing of the text of draft articles and edited it attentively and substantially.
3) The author approved the final version of the article prior to its submission.
4) The author bears responsibility for the integrity of all parts of the manuscript.
2. The authors shall guarantee that the submitted manuscript is the original work.
3. Scholarly reviews for some issue or other should be objective, present material in a wide range and at the same time take into account the views of the author of the review.
4. The authorship of scholarly publications is obligated to reflect accurately the contribution of individuals to the research activity, with specific information about the authors.
5. The authors may not mislead the readers by publishing acknowledgements of gratitude to people who were not actually involved in writing the work. Other persons who made contribution to the work, but are nevertheless not the authors, may be listed in the rubric of “Acknowledgements,” with indications of the type and extent of their activities.
6. Authors are obligated to provide a description of their contribution to the publication.
7. The order of authorship must be a joint resolution of co-authors. The authors should be ready to explain the order of their enumeration and listing.
8. The authors shall be entirely responsible for the correct definition of authorship acting in accordance with the rules adopted in their institution.
9. Investigators must ensure that only those persons who meet the criteria for authorship (that made a significant contribution to the work), shall be considered the authors, and the researchers who do not merit authorship will be excluded from the list of authors.
References
2. Асафьев Б. Русская музыка ХIХ начала ХХ века. – Л., 1979.
3. Балакирев М., Стасов В. Переписка. Т. 1, 2. – М., 1970, 1971.
4. Бахтин М. Творчество Франсуа Рабле и народная культура Средневековья и Ренессанса. – М., 1990.
5. Воробьёв Н. Теория игр. – М., 1976.
6. Гадамер Г. Актуальность прекрасного. – М., 1991.
7. Гессе Г. Игра в бисер. – М., 1969.
8. Курт Э. Романтическая гармония и её кризис в «Тристане» Вагнера. – М., 1975.
9. Лотман Ю. Тезисы и проблемы искусства в ряду моделирующих систем // Труды по знаковым системам. – Тарту, 1967. – Вып. 198.
10. Назайкинский Е. Логика музыкальной композиции. – М., 1982.
11. Соколов О. Морфологическая система музыки и её художественные жанры. – Н. Новгород, 1994.
12. Хёйзинга Й. Homo Ludens в тени завтрашнего дня. – М., 1992.
13. Шаймухаметова Л. Смысловые и структурные модификации роговых сигнальных формул в контексте тематизма скерцо (на примере творчества австронемецких композиторов) // Музыкальный язык в контексте культуры. – М.: ГМПИ им. Гнесиных,1989. – Вып. 106. – С. 58–76.
14. Шуман Р. О музыке и музыкантах. Т. 1. – М., 1975.