The Image-Bearing Artistic World of Maximilian Steinberg’s Music in the Context of Russian Culture of the First Half of the Twentieth Century
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Abstract
The article deals with the distinctive motives in the music of St. Petersburg-based composer Maximilian Steinberg as being revealing for the culture of that period of time. The author traces the image-bearing, emotional world of the composer’s musical works through the prism of his creative evolution.
Keywords: Russian image, musical image, symbolism in music, the musical avant-garde, socialist realism in music
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