“Three Eccentric Pieces” for Piano, opus 21c, by Mikhail Kollontay in the Aspect of the Interrelation between Tradition and Innovation
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Abstract
The article is dedicated to the piano cycle “Three Eccentric Pieces”, opus 21c, by contemporary Russian composer Mikhail Kollontay. The analysis discloses the peculiarities of the composer’s method: the artistic reinterpretation of the Russian classics, as well as the usage of the most novel means, including those invented by the composer himself (the intellectual conundrums).
Keywords: Russian music, Mikhail Kollontay, the piano cycle, contemporary piano music, tradition, innovation
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References
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