Concerning the Problem of Ontology of Sound in the Context of Traditional Musical Culture
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Abstract
The author examines the essence of manifestation and operation of the sound code in the rituals of the traditional musical culture of the Slavs. Special attention is given to the phenomenon of timbre and its embodiment in the pitch space of the ritual. The ontological approach to research of this subject matter makes it possible to embrace in its entirety the specificity of historical understanding of the phenomenon of sound, to elucidate its essence in certain sacred actions and to perceive this subject as a universal central idea and conception which serves as a key to comprehension of the laws of the world order.
Keywords: ethnic music of Slavs, model of timbre and acoustics, sound, timbre, timbre-form, ritual
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