The “Poem” Quality in Romantic Music (the Synergetic Aspect)
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Abstract
The article examines the “poem” quality as a dramaturgical feature falling outside the context of genre, revealing itself in the musical legacy of Romantic composers. Unlike the programmatic interpretation, the comprehension of the poetic quality is proposed in a synergetic aspect. This kind of approach makes it possible to reveal the immanently musical particular features of the “poem” quality, to connect it with the poetic sphere as that which represents “dynamic, creative chaos,” and, as a result, to disclose the possibility of a non-linear, possibilistic structuring of musical form.
Keywords: the “poem” quality, the poetic sphere, the synergetic, Romanticism, Franz Liszt
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