The Instrumental Culture of Bashkir Polytheism
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Abstract
The article discusses rare musical instruments utilized in Bashkir polytheistic rites – the frictional chordophone Kyl-kubyz, the vertical aerophone Byzyldak and the national bagpipes Shugur, the membranophone Dungur and the idiophone Kubyz. Mention is made of the corporeal and musical manifestations of the “uzliau” – solo two-voiced overtone singing and sound imitation. The material is illustrated by computerized conversion of bird song, music examples and photographs of traditional performers.
Keywords: polytheism, ritual chordophones, aerophones, membranophones, idiophones, solo two-part overtone singing, sound imitation
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