The Music of Chuvash Composers: Concerning the Issue of New Music in National Art
Main Article Content
Abstract
The author covers the panorama of development of Chuvash
music, starting from the period of formation of professionalism
to the works of contemporary Chuvash composers. The issue
of new music in regards to the period of the second half of the
20th century in the development of the national musical art is
designated. For the first time characterization is given to the
neonational direction, which appeared in Chuvash music in
the late 1960s and early 1970s and represented by the music of
the avant-garde composers M.A. Alexeyev and A.G. Vasiliev.
The author stresses the differences in aesthetical and stylistic
directions of the composers, the experimental character and
personal interpretation of avant-garde techniques in Alexeyev’s
music and the special poly-stylistic method in Vasiliev’s music.
The conclusion is made of the relevance of the research of the
new music of Chuvashia, which has interpreted in a specific way
the traditions of Russian avant-garde music.
Keywords: the music of Russia, Chuvash composers, avantgarde
music
Article Details
Copyright
The rights on the results of intellectual activity and equated means of individualization are protected in accordance with Part IV of the Civil Code of the Russian Federation. The authorship, author's name, executor’s name, inviolability of the work and result of execution are protected by the rules of Part IV of the Civil Code of the Russian Federation of the author or executor, regardless of providing legal protection of such results of intellectual activity at the time of their forming.
Copyright laws regulate the civil legal relations for using works of science, literature and art. Such relationships are formed as the result of the author’s writing his or her texts. In this case the author can rightfully claim copyright of the work.
The author has certain rights to reuse the work (see: “Ethical Aspects in Terms of Multifold Publications).
Licenses
All copyrights on the articles belong to their authors. The author transfers the rights on using the article the publisher.
PDF versions of scholarly articles of the journal PMN are published by using the license Attribution Non-Commercial No Derivatives cc by-nc-nd, allowing loading and distributing works on the assumption of indicating the authorship. The works may not be changed in any way or used for commercial interests.
Criteria for Authorship, Co-authorship
The term “author” refers to all persons (co-authors) who have made a substantial contribution to conducting the research and creation of the manuscript and responsible for its content. The person (author) who has submitted the manuscript to the editorial board shall bear responsibility for the complete list of the group of authors and the changes made to the manuscript in accordance with the results of the peer reviewing and editing.
1. Authorship is based on the following criteria:
1) The author made a substantial contribution to the research activity and development of concept, collected the data, made analysis and interpretation of the data.
2) The author carried out the writing of the text of draft articles and edited it attentively and substantially.
3) The author approved the final version of the article prior to its submission.
4) The author bears responsibility for the integrity of all parts of the manuscript.
2. The authors shall guarantee that the submitted manuscript is the original work.
3. Scholarly reviews for some issue or other should be objective, present material in a wide range and at the same time take into account the views of the author of the review.
4. The authorship of scholarly publications is obligated to reflect accurately the contribution of individuals to the research activity, with specific information about the authors.
5. The authors may not mislead the readers by publishing acknowledgements of gratitude to people who were not actually involved in writing the work. Other persons who made contribution to the work, but are nevertheless not the authors, may be listed in the rubric of “Acknowledgements,” with indications of the type and extent of their activities.
6. Authors are obligated to provide a description of their contribution to the publication.
7. The order of authorship must be a joint resolution of co-authors. The authors should be ready to explain the order of their enumeration and listing.
8. The authors shall be entirely responsible for the correct definition of authorship acting in accordance with the rules adopted in their institution.
9. Investigators must ensure that only those persons who meet the criteria for authorship (that made a significant contribution to the work), shall be considered the authors, and the researchers who do not merit authorship will be excluded from the list of authors.
References
2. Brazhnik L. V. Angemitonika v modal'nykh i tonal'nykh sistemakh. Na primere muzyki tyurkskikh i finno-ugorskikh narodov Povolzh'ya i Priural'ya [Anhemitonics in Modal and Tonal Systems. On the Example of Music of the Turkic and Finno-Ugric People of the Volga and near-Ural Regions]. Kazan State Conservatory. Kazan', 2002. 283 p.
3. Danilova I. V. Etapy razvitiya chuvashskoy natsional'noy kompozitorskoy shkoly. K probleme stanovleniya natsional'noy kompozitorskoy shkoly: avtoref. dis. … kand. iskusstvovedenia [The Stages of Development of the Chuvash National School of Composition: Concerning the Issue of the Formation of a National School of Composition: Thesis of Dissertation for the Degree of Candidate of Arts]. Moscow, 2003.
4. The Musical Art of Composers of Chuvashia: History and Present. (In Russian). Ed. M. G. Kondrat'ev. Cheboksary: Chuvash State Pedagogical University, 2012. 232 p.
5. Composer Alexander Vasilyev: Creativity in a Context of Time and Traditions. Collection of Articles. (In Russian). Chuvash State Pedagogical University. Cheboksary, 1999. 184 p.
6. Maklygin A.L. Muzykal'nye kul'tury Srednego Povolzh'ya. Stanovlenie professionalizma [The Musical Cultures of the Central Volga Region. The Formation of Professionalism]. Kazan State Conservatory. Kazan', 2000. 309 p.
7. Nazaykinskiy E.V. Stil' i zhanr v muzyke [Style and Genre in Music]. Moscow: Vlados, 2003. 248 p.
8. Huzangay A. P., Mordvinova A. I., Kondrat'ev M. G. Avangardizm [Avant-Gardism]. Chuvashskaya enciklopediya [Chuvash Encyclopedia]. In 4 vol. Vol. 1. Cheboksary, 2006, pp. 16–17.
9. Chakhvadze N. V. O «Liricheskoy poeme» V. A. Uspenskogo i ego roli v istorii uzbekskoy simfonicheskoy muzyki [About V. A. Uspensky’s “Lyrical Poem” and its Role in the History of Uzbek Orchestral Music]. Problemy muzykal'noy nauki [Music Csholarship], 2013, no. 2 (13), pp. 12–17.