The Classical Guitar of the First Half of the 20th Century. The Performing Art of Andres Segovia
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Abstract
The article presents a brief characterization of the significance
of the Spanish guitar in the European culture of the first half of
the 20th century, the leading schools of performance established
by the students and followers of Francisco Tarrega. The
artistic experience of Andreas Segovia is perceived as the most
substantial one in the context of the history of this instrument.
Certain particular features of the interpretation of compositions
performed by Segovia are systematized and separate specific
devices of the guitar technique utilized by the musician are
described. Attention is directed to the specific features of the
master’s sound production, an attempt is made to analyze the
technical elements which made it possible for him to achieve
great artistic results. Certain fingerings devised by Tarrega and
Segovia were suggested by them for the first time, for instance,
the “horizontal approach” in the construction of melodic lines and
scale-like passages.
The main sources for this research were the audio and
video recordings of performances by Segovia, his performance
editions, as well as critical articles devoted to the master’s art.
The phenomenon of Segovia has been evaluated as one that is
highly relevant for contemporary guitarists.
Keywords: Francisco Tarrega, Andres Segovia, Spanish
guitar, classical guitar, guitar music, guitar tuning, guitar
repertoire
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References
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3. Segoviya A. Moya gitarnaya tetrad’ [My Guitar Exercise Book]. Moscow: Muzyka Press, 1995. 55 p.
4. Agibalov A. A. V zashchitu Andreasa Segovii [In Defense of Andreas Segovia]. URL: http://guitarists.ru/index. php?option=com_content&task=view&id=273&Itemid=31
5. Tradition of the classical guitar. Mel Bay Publications, 1985. 256 p.
6. Wade G., Garno G. New Look at Segovia: His Life and His Music (New Look at Segovia). Vol. 1. Mel Bay Publications, 1997. 508 p.
7. Wade G., Garno G. New Look at Segovia: His Life and His Music (New Look at Segovia). Vol. 2. Mel Bay Publications, 1997. 503 p.