The Naturalistic Conception of Salvatore Sciarrino
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Abstract
composer Salvatore Sciarrino’s naturalistic conception. Art
objects are interpreted by him as possessing a structural similarity,
principles of development analogous with biological objects. The
turn to unified biological laws have brought Sciarrino to the idea
of self-similar structures – fractals. Resembling living organisms,
they form the synthetic concept of the “figure,” equivalent in
any domain of artistic creativity. This is the principle on which
Sciarrino bases his analytical essays. Being in the current of the
common aspirations of the post-serial epoch, Sciarrino brings into
his music and theoretical works the category of “aural ecology.”
The concept of ecology acquires a broader meaning than it had
in the first few decades of its development. The phenomenon of
“aural ecology,” characteristic for post-serialism, is not merely
relevant. In the music of the Italian composer Sciarinno, it becomes
the key element. The philosophy of sound which was proposed by
Sciarrino appeals to the processes of nature.
Keywords: Salvatore Sciarrino, post-serialism, fractals, aural
ecology
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References
2. Sciarrino S. Carte da suono (1981–2001) [Sound Cards (1981–2001)]. Palermo: Cidim Novecento, 2001. 462 p.
3. Salvatore Sciarrino with Alessandro Cassin: Interview (2010). URL: http://www.brooklynrail.org/2010/10/music/salvatore-sciarrino-with-alessandro-cassin (2.07.2012).
4. Sciarrino S. Le figure della musica. Da Beethoven a oggi [The Figures of Music. From Beethoven to the Present Day]. Ricordi: Milano, 1998. 264 p.