Transformation of the National Style in the Dialogue of Cultures: Two Types of Composition in Kazakh Music
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Abstract
The problem of national style in the modern musical art of Kazakhstan is considered from
the standpoint of two types of composition: traditional and European-oriented (V. Yunusova՚s terms). At different historical stages, their interaction was carried out by various methods: from transcriptions in the spirit of Russian Orientalism with European harmonisation to the deconstruction of elements of traditional composition and their reconstruction in the context of avant-garde and post-avant-garde techniques. The category of the “national” has expanded enormously, however, the principles of quoting and re-intoning the material of traditional music remain the most significant for representatives of many national composer schools, including the Kazakh one.
Based on the analysis of means of artistic expression and compositional techniques, it was revealed that the concept of two types of composition explains the transformation of the national style
in academic music: from the method of artistic harmonisation transcriptions through orientalism
to the constructive-ethnomusicological approach. It is emphasised that the latter is typical for national avant-garde compositions.
Keywords: music of Kazakhstan, national style in music, traditional composition, European-oriented composition, intercultural interaction.
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