Sergei Rachmaninoff's First Symphony Op. 13: the Creative Crisis Consequences
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Abstract
The article defines the essence of the creative crisis of Sergei Rachmaninoff, which followed after the premiere performance of his First Symphony, Op. 13 d-moll in 1897. The composer’s and his contemporaries’ memoirs, connected with the events of Rachmaninoffʼs creative life in 1896–1897 are considered. The author analyzes the musical-thematic and content interactions between the First Symphony and the works of the middle and late periods of his creativity: The First Piano Sonata, op. 28, the symphonic poem “Isle of the Dead” op. 29, the Third Piano Concerto, op. 30, vocal cycle “Six Poems” op. 38, piano cycle “Etudes-Pictures” op. 39, Rhapsody on a Theme by Paganini, op. 43. The crisis influence on the further formation of Rachmaninoffʼs composer style determines in the article as well. It is suggested that there is a direct interrelationship between the peculiarities of Rachmaninoff's style thinking and the 1897–1901creative crisis. In the context of M. Aranovsky’s researches on the structure and properties of a musical text is proposed a thesis about the internal intertextuality of Rachmaninoff's individual style. The categories of “empirical” and “a priori” in the system of Rachmaninoffʼs composer language are analyzed in this article.
Keywords: Rachmaninoff, “First Symphony”, creative crisis, composerʼs style, intertextuality, musical lexeme
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