The Canticle in the Music of Benjamin Britten: The Aesthetic and Theoretical Aspects
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Abstract
The article is devoted to the analysis of the genre of the canticle in the musical output of English composer Benjamin Britten. The author examines the aesthetic basis of the canticles and the relevant issues of the theory of the musical language and the composer’s techniques in this genre. The processes of drama,
opera and the influence of instrumental music on the composer’s approach vocal music are analyzed in detail. The appeal to the everlasting themes compels Britten to turn to various stylistic allusions: Baroque, Classical, Romantic and others, which is presents a distinctive feature of his creative process.
Keywords: Benjamin Britten, canticle, divine, theory,
Aesthetics
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